Gluing the fretboard to the neck
James glues the Ebony fretboard to the neck of the Waimea slack key guitar. The neck is Honduran Mahogany and the headstock is slotted. The Madagascar Rosewood headplate is already glued on the headstock, the slots are cut, and the tuner holes are drilled. In the photo below the asymmetrical curve at the end of the fretboard can be seen.

Gluing Fretboard to the Neck
In the photo below we see James getting going in the neck carving for this slack key guitar. He has already started working on the volute which ends up smaller when complete. Also the heel curve is not complete yet; more will be coming off. Then the sanding begins, progressively moving through levels of sandpaper to 220 grit. At that level there is still some tooth on the wood for the finish to adhere to.

Carving the Neck for the Slack Key Guitar

 

The bracing on the soundboard of the Deep Lake is made of Adirondack Spruce and is nonstandard elliptical bracing.  The soundboard is Carpathian Spruce. This particular Deep Lake has a custom elliptical soundhole.

Carving the Bracing on a Russell Deep Lake

Deep Lake Bracing Close-up
Russell Deep Lake Bracing

 

James shows Jeff the progress on the slack key guitar

James shows Jeff Cook the progress on his flamed curly Koa “Waimea” slack key guitar. The body is complete and some neck work has been done.  The headplate on the slotted headstock is book-matched Madagascar Rosewood to match the binding, bridge, and end graft.  Now the neck is ready to carve. It won’t be long, Jeff!

Below, Jeff checks out the Madagascar Rosewood purfling on the inner edges of the soundholes. He’s ready to play this thing, but hey, he’s just going to have to wait a little bit longer. The dove tail joint can be seen in these shots; the joint is also a bolt-on. The best of both worlds.

Jeff inspects the slack key guitar James is making for him
Jeff checks out his Russell "Waimea" slack key guitar

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